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向《音响二十要》开炮! [复制链接]

281#

回复 279# woow 的帖子

这就好比男人抽烟与喝酒,抽烟人群中至少50%是无法辨别中华烟与红双喜之间区别,有些人酒量浅更多因素是体内融化酒精的血红蛋白霉含量低;音乐同样如此,有些人对于音色判断力弱,也是先天性的。
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282#

回复 279# woow 的帖子

没想到先生的问题,引出一个可怕的事实;一位大发烧友跟我讲过他采用何种型号胆管以及何种品牌的胆机能将音色做得客观一些,我听此言就对他肃然起敬,可谓“握一握手便知是否有”。
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283#

回归理性

该用户帖子内容已被屏蔽
最后编辑八先生 最后编辑于 2012-03-04 15:25:09
不为君王唱赞歌,只替苍生说人话!
鸟声、虫声、核桃声轻声入耳,
花事、鱼事、葫芦事诸事关心。
lp-33@hotmail.com
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284#

原帖由 670707 于 2012-3-4 14:59:00 发表
这就好比男人抽烟与喝酒,抽烟人群中至少50%是无法辨别中华烟与红双喜之间区别,有些人酒量浅更多因素是体内融化酒精的血红蛋白霉含量低;音乐同样如此,有些人对于音色判断力弱,也是先天性的。


那就说明只能是少数人专业人士而且具有先天性优势的人才能辨别音色的变化,是不是这个意思。
最后编辑woow 最后编辑于 2012-03-04 15:34:48
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285#

原帖由 670707 于 2012-3-4 15:11:00 发表
没想到先生的问题,引出一个可怕的事实;一位大发烧友跟我讲过他采用何种型号胆管以及何种品牌的胆机能将音色做得客观一些,我听此言就对他肃然起敬,可谓“握一握手便知是否有”。


这个怎么是我的问题,引出的?汗!
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286#

回复 285# woow 的帖子

这是你的功劳呀,没有你的提问,怎么能说到音色的判断能力上呢,呵呵。
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287#

原帖由 670707 于 2012-3-4 15:41:00 发表
这是你的功劳呀,没有你的提问,怎么能说到音色的判断能力上呢,呵呵。


那就继续提问,如何判断哪个专业人士是有音色判断能力?哪个专业人士没有音色判断能力?而这个判断应该由谁来做出。才会不被人质疑?
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288#

回复 287# woow 的帖子

自己思考,不回答了,呵呵。
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289#

原帖由 670707 于 2012-3-4 15:57:00 发表自己思考,不回答了,呵呵。
我知道woow兄接下来要问什么了,67先生很聪明,换了我也不会回答。
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290#

路过,拜读各位的高论。
如果您只想永远做个雇工, 下班的汽笛可以让您停下手中的工作, 如果您想开创一番事业, 那汽笛仅仅是您重新思考的信号.
------亚靈
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291#

回复 289# 神农 的帖子

当局者迷、旁观者清,谢谢。
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292#

该用户帖子内容已被屏蔽
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293#

不耍嘴皮子,有本事把福尔曼的音色还原出来,给个链接:
http://item.taobao.com/item.htm?id=15885416505
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294#

该用户帖子内容已被屏蔽
不为君王唱赞歌,只替苍生说人话!
鸟声、虫声、核桃声轻声入耳,
花事、鱼事、葫芦事诸事关心。
lp-33@hotmail.com
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295#

知道费尔曼的录音是不错的进步。那我问问你,费尔曼是什么时候的人啊?当时的录音是怎么回事啊?费尔曼鉴定自己录音是用什么啊?
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296#

请教先生,立体声的目的和原理是什么?音乐是否是一维的?
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297#

我给您转一下牛仔兄的发言

该用户帖子内容已被屏蔽
不为君王唱赞歌,只替苍生说人话!
鸟声、虫声、核桃声轻声入耳,
花事、鱼事、葫芦事诸事关心。
lp-33@hotmail.com
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298#

回复 295# lp__fans 的帖子

Both of Feuermann's parents were amateur musicians. Feuermann's father, who played the violin and cello, was his first teacher. Feuermann's older brother Sigmund was also musically talented and their father decided to move the family to Vienna in 1907 so that Sigmund could launch a career. At the age of nine, Feuermann received lessons from Friedrich Buxbaum, principal cello of the Vienna Philharmonic, and then studied with Anton Walter at the Music Academy in Vienna. In February 1914, at age eleven, he made his concert debut, playing Joseph Haydn's Cello Concerto in D major with the Vienna Philharmonic conducted by Felix Weingartner.
In 1917, Feuermann went to Leipzig where he studied with the legendary cellist Julius Klengel. In 1919 cellist Friedrich Wilhelm Ludwig Grützmacher (1866–1919), the nephew of Friedrich Wilhelm Grützmacher, died, and Klengel recommended Feuermann for Grützmacher's position at the Gürzenich Conservatory in Cologne. Feuermann also became principal cellist of the Gürzenich Orchestra, by appointment of its conductor (who was also the conservatory director) Hermann Abendroth. Feuermann also, as part of the position, became cellist of the Bram Elderling Quartet. At this time, he also joined a short-lived piano trio with his brother and Bruno Walter, the latter on piano.
In 1929, Feuermann became professor at the Musikhochschule in Berlin where he taught for the next four years. His musical collaborations during this time included violinists Carl Flesch, Szymon Goldberg, Joseph Wolfsthal and Paul Hindemith, who played the viola in a string trio with Feuermann and Wolfsthal. Other collaborators included Jascha Heifetz, William Primrose, and Arthur Rubinstein.
On April 3, 1933, the rise of Nazism led to his being dismissed from his position at the Berlin Conservatory because of his Jewish background. He moved to London, along with Goldberg and Hindemith. He toured Japan and the United States (New York City). He then returned to Europe, where he married Eva Reifenberg in 1935. He played the solo part in the premiere of Arnold Schoenberg's Cello Concerto with Thomas Beecham conducting. He moved for some time to Zürich, but happened to be in Vienna at the time of the Anschluss. Bronislaw Huberman helped Feuermann and his family escape to British Palestine. From there they moved to the United States in 1937.
He taught privately and at the Curtis Institute of Music until his death. Among his notable pupils were Bernard Greenhouse, Suzette Forgues Halasz, Aldo Parisot, Alan Shulman, David Soyer, and August Wenzinger.
In the US, he made numerous legendary chamber-music recordings with Jascha Heifetz, Arthur Rubinstein and others. His relationship with Paul Hindemith suffered when Hindemith chose Gregor Piatigorsky to premiere his Cello Concerto.[1]
Feuermann died in 1942 due to complications in a surgical operation for haemorrhoids.[2]
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299#

回复 298# 670707 的帖子

670707,你如果想绕开说如何重播费尔曼唱片的问题,其实也无所谓,毕竟这是个比较难的问题。欢迎你经常性地搜一些音乐家的资料,这是非常好的做法,起码我还是很肯定的告诉你大家喜欢你这么做。
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300#

回复 299# lp__fans 的帖子

先生,我辛苦找资料回答你前半部分问题,希望我们在此基础上,共同学习、领会,福尔曼的大提琴艺术,并根据前人的可靠资料记载在音响器材中寻回他富有魔力般磁性而浪漫的歌声。
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