发烧论坛

注册

 

发新话题 回复该主题

naim收集贴 [复制链接]

21#

围观
学习
TOP
22#

买了200和202的都在自己家里爽去了,不出来PK。呵呵
TOP
23#

香港2011音响展拍的naim内部图

naim厂方将s400说的很神的,不过当天没有演示,第二天才有安排演示。
DSCN4178.jpg (, 下载次数:2)

jpg(2011/8/11 8:06:27 上传)

DSCN4178.jpg

DSCN4173.jpg (, 下载次数:0)

jpg(2011/8/11 8:06:27 上传)

DSCN4173.jpg

DSCN4174.jpg (, 下载次数:0)

jpg(2011/8/11 8:06:27 上传)

DSCN4174.jpg

DSCN4175.jpg (, 下载次数:0)

jpg(2011/8/11 8:06:27 上传)

DSCN4175.jpg

DSCN4176.jpg (, 下载次数:0)

jpg(2011/8/11 8:06:27 上传)

DSCN4176.jpg

DSCN4179.jpg (, 下载次数:0)

jpg(2011/8/11 8:06:27 上传)

DSCN4179.jpg

TOP
24#

一本宣传的小册子

对naim了解有的帮助
DSC_7153.jpg (, 下载次数:5)

jpg(2011/8/11 8:23:51 上传)

DSC_7153.jpg

DSC_7154.jpg (, 下载次数:1)

jpg(2011/8/11 8:23:51 上传)

DSC_7154.jpg

DSC_7155.jpg (, 下载次数:4)

jpg(2011/8/11 8:23:51 上传)

DSC_7155.jpg

DSC_7156.jpg (, 下载次数:0)

jpg(2011/8/11 8:23:51 上传)

DSC_7156.jpg

DSC_7157.jpg (, 下载次数:1)

jpg(2011/8/11 8:23:51 上传)

DSC_7157.jpg

DSC_7158.jpg (, 下载次数:1)

jpg(2011/8/11 8:23:51 上传)

DSC_7158.jpg

TOP
25#

继续

还可以一看,naim厂家竟然还可以维修40年以前的产品。
DSC_7159.jpg (, 下载次数:1)

jpg(2011/8/11 8:30:23 上传)

DSC_7159.jpg

DSC_7162.jpg (, 下载次数:0)

jpg(2011/8/11 8:30:23 上传)

DSC_7162.jpg

DSC_7163.jpg (, 下载次数:0)

jpg(2011/8/11 8:30:23 上传)

DSC_7163.jpg

DSC_7164.jpg (, 下载次数:0)

jpg(2011/8/11 8:30:23 上传)

DSC_7164.jpg

DSC_7165.jpg (, 下载次数:0)

jpg(2011/8/11 8:30:23 上传)

DSC_7165.jpg

DSC_7166.jpg (, 下载次数:0)

jpg(2011/8/11 8:30:23 上传)

DSC_7166.jpg

TOP
26#

168网站想看图片真痛苦。
TOP
27#

我这里打开的速度很快呀
TOP
28#

NAIM,铭,还不错。
TOP
29#

难道同我用联通网络有关?
TOP
30#

看看大家对NAIM的评论
TOP
31#

玩naim,你要有钱。
上了naim的贼车你都不好意思再换车,那就是,上了你就下不来。升级必选naim.太可怕了。你的钱包一定会扁扁的。
TOP
32#

naim 也没有过人之处。除了极其自然的声音,越高档声音越自然。另外就是极其耐用的品质。当然还有极其出色的音乐味。
最后编辑王海林昱 最后编辑于 2011-08-16 23:58:33
TOP
33#

naim收音头有何特别之处呢?

请专业人士点评一下
IMG_3317.JPG (, 下载次数:3)

nat 05(2011/8/17 13:10:12 上传)

IMG_3317.JPG

TOP
34#

Naim NAT 05 Review

£825Sep 2006

    Want
    Got
    Had

Stuff says 5 Hot Buy

This kind of money will buy you a great digital tuner, but the analogue-only Naim still has the power to amaze.

Images
Tweet

Sometimes no-frills technology is best: Naim’s classic NAT 01 couldn’t have been much simpler, with just a tuning control and a display that varied in brightness to indicate when you were homing in on an FM station. Pure class – indeed, it remains a highly sought-after second-hand buy.

But while there are occasional rumours that the Salisbury company has a digital/analogue hybrid tuner up its sleeve – not least because its n-Vi all-in-one system can be supplied with an optional DAB/FM module fitted – for the moment the £825 NAT 05 is the only radio tuner in its range.

Radio has always been a vital part of any Naim line-up, so it was good to see this very fine tuner appearing as part of the initial group of Series 5 products, a catalogue which now extends to various amplification options and excellent CD5 CD players.

Purposeful simplicity
The style here is typically Naim – slim black boxes made from thick metal – with the result that, while the NAT 05 is of fairly conventional hi-fi separates proportions, it has an air of understatement about it, as well as purposeful simplicity. It’s not hard to fathom out how to use it, but a little effort ensures it’s working at its best.

It’s worth giving the Naim a few days’ run-in before serious listening takes place – that’s no hardship, given that it sounds pretty good straight from the box, but becomes truly special once warmed through – and you should also leave it switched on. Perhaps not one for Greenpeace, then. A good aerial is also a prerequisite, the Naim sounding ropey when it gets insufficient signal.

This is an FM-only radio, but it does come complete with a remote handset and have 99 presets to store favourite stations. In common with all Naim kit it uses a locking DIN socket for signal output, rather than the usual twin RCA phonos, but this shouldn’t deter buyers intending to use it with amplifiers of other brands. Naim itself, or cable manufacturers such as The Chord Company, also based in Salisbury, can provide suitable DIN-to-phono interconnects.

This tuner is unlikely to impress those who habitually listen to rock or dance stations, since they’re revealed in all their overprocessed dreadfulness. However, for those of us for whom a play on Radio 4 or a live concert on Radio 3 is a viable alternative to playing CD, this tuner is a delight.

Let’s take the not-so-simple matter of voices: via the Naim they’re beautifully open and characterful, easy to listen to and yet completely compelling. Finely crafted radio drama can work on the imagination, while the BBC’s engineers can put you in the best seat at any major concert hall you imagine.

If the rest of your system is up to what the NAT 05 can do, you’re in for something of a voyage of discovery.
TOP
35#

还是很不错的呢

淘宝图片空间
TOP
36#

确实是好东东。
TOP
37#

nat05

内部图
IMG_3302.JPG (, 下载次数:1)

jpg(2011/8/17 18:51:39 上传)

IMG_3302.JPG

TOP
38#

naim发布全新一体机--superuniti--具有supernait的功率,ndac的解码能力

Naim's new SuperUniti network music system: it's like a UnitiQute, but louder!                                                                                                                                                                                                                                                                                                                                              17 Aug 2011      
Naim is adding a SuperUniti to its streaming products line-up, slotting into the range above the existing NaimUniti and UnitiQute.
The new model – announced today at the first of Naim's Summer Sounds: On Stream roadshows – combines the facilities of the company's UnitiQute, Naim DAC and SuperNait integrated amplifier.

With an 80Wpc  output, and selling for £3250 when it hits the shops early in October, the company says the SuperUniti 'extends the Uniti range and the possibilities for UnitiSystem into the high end'.
It's also said to be particularly suitable for 'large rooms and those who like to play their music just that little bit louder.'
It features a latest-generation streaming board: this digital six-layer design gives the SuperUniti the ability to stream 192kHz/24-bit content, Naim describing this as 'the first of its 24/192 products'.
As well as Wi-Fi and Ethernet inputs, the SuperUniti also has two electrical and three optical digital inputs, three line analogue inputs, preamp output and stereo subwoofer output on its rear panel.
Meanwhile the front panel has 3.5mm sockets for stereo line/optical in and headphone out, plus a USB socket. In common with other UnitiSystem products, the SuperUniti can accept a direct digital input from iPods, iPhones and iPads via the USB socket, and can also be controlled over a network by an iOS device running the company's n-Stream app.
In addition the SuperUniti has both DAB and FM radio tuners, plus of course access to thousands of internet radio streams.
On the audio side, the new model uses Naim's Zero S/PDIF Jitter Design, as used in the Naim DAC. This has a buffering system storing incoming data using master clocks adapting to the incoming signal, and then clocking it out of the memory using a precision clock to provide complete isolating from incoming jitter
Digital filtering is handled by a SHARC DSP chip running proprietary Naim code, and the SuperUniti uses Burr-Brown PCM1791A conversion, as also used in the NDX and HDX.
Completely new for the SuperUniti is a high-performance digitally-controlled analogue volume adjustment, using discrete resistors and high-performance electronic switching to give what Naim says is the sound quality of an analogue volume control with the flexibility of digital control.

Naim has also announced a free of charge update for the HDX (above), UnitiServe and its NaimNet music servers: it adds internet radio capability to these devices, and will be available from Naim retailers at the end of this month, either as a dealer upgrade or as a disc for owners to upgrade their own unit.

Follow whathifi.com on Twitter

Join whathifi.com on Facebook
                
  • Twitter
  •                                                     Facebook
  • Digg
          

            Comments                    ID. Thu, Aug 18 2011, 1:29AM  
       Ooh! Now if they could make it for me in silver
  
  
            True Blue Wed, Aug 17 2011, 10:13PM  
       Am I missing the point??
Please listen NAIM I want a highquality streamer and DAC all in one.  I already own your pre power combo and have NO requirement for ANOTHER integrated.
Stripped down Superuniti please without the power AMP
Your truely
one peeved naim owner
  
  
            Dan Turner Wed, Aug 17 2011, 7:25PM  
       I want one
  
  
            Sliced Bread Wed, Aug 17 2011, 6:55PM  
       Wow!  Just wow!
TOP
39#

这个太可怕了,
一机囊括naim的全部精华superuniti===supernait+ndx+ndac?????
TOP
40#

Naiming the Future

    Chris Thomas talks with Paul Stephenson of Naim Audio.

    by Chris Thomas | September 1, 2011

aul Stephenson, the managing director of Naim Audio, and I had been talking about doing this interview for several months. Originally it was going to be about the direction in which Naim, with their commitment to streaming technology and audio in general, were heading, with perhaps a bit of history thrown in. But then the huge news of the Focal deal gave our plans an agenda and momentum of their own. So I traveled from London to Salisbury to conduct the first interview with Paul since the news broke. Over lunch we realized that a bit of context was called for, so he suggested that, to understand where Naim are now and where they are heading, it would be helpful to know something of their history. Paul wasn’t at Naim at the very beginning, but soon after his arrival he gave the company a focus and direction that has only intensified as the years have passed and events have unfolded.

Chris Thomas: Take me back to those heady days of 1981.

Paul Stephenson: It’s quite pertinent that we are sitting here today, where Naim is in a different place from when you and I started talking about doing this interview months ago. In fact, apart from joining Naim in 1981, Julian Vereker’s death and now the merger, collaboration or sale with Focal, these are probably the three biggest events in my history with Naim, and two out of those three I had no chance to think about or plan for. Julian and I had spoken many times about my taking over Naim at some point, and he’d go on his boats and to do his thing. Would he ever really relinquish true control? I don’t know. There was certainly a point in Julian’s life where he was getting very dissatisfied with the way the industry was going, with overregulation and the like. He had a growing passion for space and time and boats and those sorts of things. So we talked often about my taking over because he didn’t like to deal with the crap. He wanted the fun. And he had someone like me who was going to be a bit bullish and take on CE, regulation and the distribution channels, things like that plus the general worries of a growing business. Well, he was quite happy to dump that on me [laughs]. He went to New York, came back and said he didn’t feel very well, and six months later he died.

CT: When was that?

PS: That was 1999-2000. The beginning of the millennium. And what was really strange was that there was no time for me to plan. It was very fashionable in the '80s, the Thatcher era, to big-up the guru side, the head of the company. Like Ivor [Tiefenbrun] would have been for Linn, Julian was for Naim. I was the sales and marketing director, so I filled my boots with all of that. Then, all of a sudden, he wasn’t there, and I thought, Shit! You remember how the forums and the industry were full of "This is the end of Naim" or the end of the world and all that stuff? I had no plan for that event because it took us by surprise. Julian was the owner and my friend, and here he was dying and the business seemed secondary to someone’s death. But, once I woke up and shook myself, I understood that the business before was all about the lifestyle, plus Julian made decisions based on if it seemed something was a good idea, then that was good enough for us to have a go. It didn’t matter if it made money or lost money. But as soon as he died, I was faced with what would happen next. The bank had an interest in where we were going and the other shareholders obviously wanted to know what was going on. It wasn’t exactly panic, but I realized that things had to change.

CT: When Julian died was there a plan in place?

PS: There was no plan. And in fact, when Julian was dying he told me that I would take over the company, but he said nothing would really be revealed until he died. So I went though this period of not knowing if the company was going to be sold or his family would take over. It was very weird. So suddenly he dies and I had the funeral to arrange and all that kind of stuff. I just sat there and thought, What’s going to happen now? And the lawyers gathered and looked at me and said, "Well, what are you going to do, Paul?" So I had to look at the business and realized that there was no plan, and I started to think about going forward, although I was initially very uneasy about it. So I looked at who was in the business and how I could develop things. I made Roy George technical director because he wasn’t a director at that time and I told him he had a clean sheet of paper to create whatever he wanted and I needed to decide what Naim would look like in the next ten years. I said to him and R&D, "Come back when you’ve got a plan." There were probably six people in R&D then. Julian didn’t really allow our R&D team to go very wide creatively.

So they were now set free and it was a very big moment because Roy George and his team had been designing 90% of all the products. Julian didn’t like taking on some of the new challenges and that meant that, in some ways, he slowed the process of change down, but who could blame him? Take the communications in the factory. We were on CompuServe for comms because Julian hated Microsoft and Apple. Our processes were antiquated. There was just so much to do, so I recruited new people and empowered the management team. We created a new five-year plan. I thought it was all so bureaucratic, but I decided to go with it. I put a business plan together where I said I would double the business in five years, and after two years in I realized it was such a mess. The R&D team didn’t have the right tools, and in fact we didn’t have enough people. We had to completely throw away the computing system and all the communications. The manufacturing process was in chaos. There had been no investment in the business. The whole thing was creaking. They hadn’t used the moment of profitability during those times to reinvest in the business. It needed massive reinvestment. At the same time, if we look back into the '70s and '80s when we started to make it big, why didn’t we become the size of B&O? Why didn’t we and others become huge companies? They had the possibility. There were wonderful products. There was more competition, true, but we were just having lots of fun. There was no business process, no power management thinking going into organizational growth. So, when I took over, I was made a trustee of the Julian Vereker Trust.

CT: What is that?

PS: There is something called the JV Trust which held the assets of Julian, which were predominantly the Naim shares. Julian made me a trustee of this and the other member was a lawyer.

CT: When did Julian set this up?

PS: He set this up just before he died. JV’s view was that I would take over the company and build it up, but, on the other hand, if the lawyer didn’t think I had a good plan, he could sell Naim. So I was under quite a lot of pressure to come up with a plan that would grow the business. Well, we didn’t grow anything like I wanted to in two years. So in the second or third year I made the decision to discontinue every product in the range and we came out with the new Reference series. Looking back on that now, I think that, with the infrastructure we had, it could have been suicidal. I remember one night lying in bed and thinking, What if they don’t like it, or if the dealers won’t buy it?

CT: But you didn’t discontinue the 250?

PS: No, not the name, but we did. It was in the olive shape before I put it into the new range with a new design.

CT: It was a new amp.

PS: It was a new amp. The 282 came out and the 252. Everything got replaced, not only that but there was the commercial aspect where we launched 24 new models into a market where a dealer would have to invest in demo stock worldwide. It’s a big risk. Well, it was amazing, and everybody went for it. The dealers and the press liked it and we started to grow really quickly. It helped a lot. And the whole cosmetic thing, whether some liked it and some didn’t, had moved up a lot from a quality point of view. So we started to recruit more and more people in R&D and invest much more money. I had regular reviews with the Trust, who understood what I was trying to do and backed it. I had a really good working relationship with them. I was managing director, a shareholder and trustee, so I had to be very careful with compromising any of these positions by doing things properly.

CT: So, let me get the Trust straight. It’s you, a lawyer and who else?

PS: Yes, the two of us and there was also an external financial guy, watching that all was street legal and a sound investment to continue with.
TOP
发新话题 回复该主题