原帖由 无难 于 2010-1-8 6:27:00 发表
[quote] 原帖由 KCC123 于 2010-1-5 0:59:00 发表
在Audiogon 论坛上从08年1月开始到现在最热门的话题就是讨论关於MM/ MI比MC头的优胜,最近集中评述的就是Ortofon M20FL Super 这MM唱头, 其中有一位认为它更...... |
无难兄,
好吧!
我勉为其难尝试一下,
抽取其中二人的意见作简单的翻译.
Raul(
他是墨西哥人,
英文不是他的母语,
所以在行文中有很多不通之处,
令翻译倍感困难)
的原文:-
The AKG P100-LE or the AT 180 ML-OCC are top ratedcartridges and extremely hard to beat even to even its quality performance butthis M20FL Super approach that top quality level.
The music takes a so " vivid " character that ishard to think that what you are hearing comes through your system instead alive event.
I never heard in any system ( elsewhere ) with any cartridgethe so real timbal/drum on a classic music ( Pictures at an Exhibition. )recording similar of what you heard/hear in the music hall like with thiscartridge " gem " and not only with this recording but with anysingle recoprding: the performance is so true/vivid with a full music body thatI never heard it before.
Other surprise is that as good as is the cartridge low endperformance as good is at the other side of the frequiency extreme ( normallywhen a cartridge is a little bass-heavy this preclude for transparency on theother frequency ranges. ) where we have not only a natural transparency anddetail but the similar notes definition that we have at the low bassperformance. The cymbals sound not only like a " white noise " butwith a clear/precise sparkle very hard to attain for any cartridge and boy!that music cartridge " body ": addictive for say the least.
The mid-bass is something to hear and with this cartridgeyou can distinguish between mid-bass and low mid bass like in no othercartridge I know.
It has the precision and definition that you have in the AKGP100-LE ( no other cartridge I know has it. ) especially when no matter whichis the recording level of each music recording soundstage layer you can hearvery clear the music notes on that single soundstage layer even at the deepestlayer.
I have on hand the A90 ( again, Iask for it and my friendwas happy to hear it in my system. ) and other MC/MM ( MP-50, Astatic MF-100,ADC XLM #,, ) cartridges and for the ones that we heard all of them sound just" boring " or ( the MC ) " anemic ". No, the A90 IMHO can'tcompete with his " cousin ", well not many can do it.
我的粗劣译文:-
AKG P100-LE
或AT 180 ML-OCC
都是极高评价的唱头而且在音质方面是极难将它们击败,
但MC20FL
却具有如此高的水平.
如此生动的音乐表现实在是令人难以想像得到你不是在现场聆听.
我从未在任何的系统(
任何的地方)
听到一个唱头如此真实的音色/
鼓音在古典音乐(( Pictures at an Exhibition)
的录音近似在音乐厅中聆听,
这”
宝石”
一样的唱头不单把这录音或任何的录音:
我从来未有听过这种充满音乐感的像真/
活生生的演奏.
惊奇的是这唱头的低频尤如高频一样的好(
通常一个唱头有如此深沉低频的话会妨碍在其它音频的通透度),
但它不单有著自然的通透和细节,
同时兼备低频音符的精确分析.
铙钹不像" white noise "
的声音,
但一种在任何唱头中难以获取的清晰/
准确光辉!
最少可以说是一个令人沉溺於音乐的唱头.
没有其它我所知道的唱头像这一个更能令人分辨出中低频和低中频的区别.
它有著 AKG P100-LE (
据我所知没有任何的唱头拥有 )
准确的分析力,
我们都能清楚听到每一音符,
无论是在任何录音水平和每一乐章的录音舞台中的层次.
我听了在我手上的Ortofon A90(
我曾要求而我的朋友也乐意听听在我的系统中)
和其它的MC/MM( MP-50, Astatic MF-100, ADC XLM #,, )
唱头比较后,
所有的唱头都感到”
沉闷”
或(MC
头)”
贫血的”. A90
竞不能和它的”
堂/
表兄弟”
竟争,
当然很多的都不能.
原文由Axelwahl
在11-26-09
所发表:-
Lewm,
it may be of interest that *ALL* M20FL super characteristicsyou mentioned are exactly as I find them:
- bigger image
- more "real" or more pleasing piano tone
- makes known good LPs sound fantastic
- more vivid
Note: >>> cannot fault the calmer and very accuratepresentation of the MC7500, <<<
I personally fault the Windfeld for being colder and lessinvolving. So much so, that some records sound just plain boring, though veryresolved.
Playing the same LP with the M20FL brings the apparently"dead" record to life, so they can go back into my "handy",close by, collection and not one floor up in a shelve.
译文:-
Lewm,
可感到兴趣的就是你所谈到的所有M20FL Super
的特点正如我所发现的一样:-
较大的影像更真实或更讨好的钢琴色调将一些熟悉的好黑胶唱片播出神奇的声音更活灵活现注意:>>>
不能责怪OrtofonMC7500
的更宁静和准确的演译我个人挑剔OrtofonWindfeld
因为较冷和较不能投入,
以致一些唱片的声音沉闷,
虽然具有极高的解折力.
重播一些无可药救的唱片M20FL
会将它们起死它回生,
再次放回就手之处,
而不会置在架的上层.
