声乐包子好像快要发了。。。记得有个单声道的魔笛三星带花应该是他的吧——印象中三星带花给单声道的不多，应该是艺术上特别杰出了。
他指挥的东西听得不多，唯一有印象的是martz和另一个女小提琴家（也是早逝的，名字都不记得了）的单声道德沃夏克、布鲁赫和格拉祖诺夫的协奏曲，尽管音效欠佳，却印象很深刻，伴奏的极为得体。
引presto上的一段介绍
Even though Fircsay’s career as a recording artist barely lasted 12 years, almost every connoisseur of Classical music considers him a legend, the epitome of the enlightened master conductor, who was good at everything he touched, a role model for figures like Abbado or Harnoncourt. The sleek and slender aspects of Ferenc Fricsay’s conductorial style paved the way for many facets of what we consider informed conducting today, especially in Mozart, and he still (almost) equalled Furtwängler in transcendental romanticism – when it suited the music.
During the short timespan that he had as a recording artist, between 1949 and 1961, Fricsay, besides his many other obligations, managed to make an abundance of records for Deutsche Grammophon, now amounting to an incredible number of 82 fully packed CDs. And, as critics then and now have pointed out, he made every single record count, especially when he knew that he had little time. The Fricsay recording that wasn’t great still has to be pointed out. One can only wonder what this genius would have achieved had he lived longer.
