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双线分音之大转贴 [复制链接]

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1#
目前高级扬声器都使用了双线分音的设计,如果你想使用此功能就要准备多一对喇叭线,并将扬声器两对接线柱之间的短路片拿掉,否则便起不到双线分音的作用。如果功放只有一对输出端,就需要把每声道的两对喇叭线并联,即两条\"+\"线接功放的\"+\"输出端,两条\"-\"线接功放的\"-\"输出端。如果功放备有两对输出端,采用双线分音就方便得多,只需每对端子连接一对线即可,但要记得把功放上的扬声器选择开关扭到A+B的位置。
不过喇叭线最好买支持双线分音的4芯线,一般而言颜色有讲究,浅色的接高音单元深色接低音。这样的线材是专为分音设计,效果比简单的用相同线材或者随便搭配两套线材要好的多。
家庭中所需要的喇叭线长度多为二至三米,在这个范围内长些或短些并没有什么明显的分别。不过要注意布线时应尽可能勿将多余的喇叭线绕成圆圈,这样会令电感增加,从而损害重播质量。如果买了较长的喇叭线又不舍得剪短,正确的做法是让线材呈波浪形弯曲避免绕圈。还有一点要注意,两边喇叭线的长度一定要尽可能相同,相差太多会使左右音色不平衡。
还有一定要记住用同一极线的两端分别连接功放的\"+\"输出和扬声器的\"+\"输入,另一极线连接功放的\"-\"输出和扬声器的\"-\"输入。如果弄错相位,双线分音可能是要烧器材的!喇叭线的接驳方向也很重要。一般来说,每条线材的线身上都会有箭头或文字。使用时只要顺着箭头或文字的方向,以功放为起点以扬声器为终点,用喇叭线把两者连接起来就可以了。
效果?你自己听好了。我认为对系统有明显的改善。如果音箱支持bi-wiring的话买对过的去的四芯线效果绝对比一对二芯线要好很多很多。另外最好用的公房也直接有两组输出的比如accuphase的E 530 或者麦进图的6850等等。
如果还不满意可以试一下放音效果更佳的是“双放大器”接法,即用四路功放分别推动两声道音箱的高音扬声器和低音扬声器。有个朋友家里是用Mark前后级(4后级)双线分音的,这样做我感觉效果倒提升有限。
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Bi-Wired的迷思
  许多消费者在购买扬声器时,除了价格、音质与外观之外,通常关切的问题还包括了是否配备有Bi-Wired(双线输入)或Tri-Wired(三线输入)端子。其实会使用双线接驳的消费者并不多,大多数的音响迷多半使用厂家随机附上的跳线(铜片或是粗铜线),而店家在介绍扬声器时,也会特别强调它的Bi-Wired端子配备(所以卖你贵一点是应该的)。我想,可能有些店家都搞不清楚Bi-Wired的好处为何?但是一想到可以多卖一对喇叭线,当然就会特别强调Bi-Wired装置。

    如果扬声器是以Tri-Wired设计,强调多线输入优点的音压肯定超过96dB(注1)。问题是,高级扬声器是否就一定要具备Bi-Wired或Tri-Wired端子?具有多线输入的扬声器,音质就一定比单线输入(Single-Wired)来得好吗?笔者也常被问到这个问题。现在,就让我们来探讨一下Bi-Wired设计方式的优缺点为何,以及我们使否能藉此发挥扬声器的特性与潜能。

多线接驳

    Bi-Wired的定义是什么?它的中文解释为:双线接驳(也可称为『双线分音』或『双线输入』)。如果我们查看扬声器背板的接线处,会发现二组接线端子配置其上,同时标示着「Hi-Pass」、「Low Pass」,或是「Hi-Frequency」和「Low-Frequency」的字样。这种设计代表的意义,就是分音器高通及低通线路是完全分开的;如果是Tri-Wired设计,那么高音、中音和低音的分音器部分就各自独立。

    就分音器来说,Bi-Wired和大多数的Single-Wired最大不同处,在于地线的连结设计。一般而言,Single-Wired的地线接驳是各音域共享的,但是这样的接法却很容易产生串音(试想,工程师千方百计用高级零件且精密的计算零件数值,就是要让单体在设定的音频内工作,如果产生串音,那不是很冤枉吗?)。某些扬声器的设计,是将高音单体的正极接到分音器的负极去,若是如此,那真的是提到肉粽头 - 一大串了:当二个单体除了分音器区隔的频率以外,再混入串音所造成的另外一只单体负责之频率,此时单体本身已有频率加倍或抵销等电能转换为声能后,又和另一只单体互相干扰进而造成音质的渲染。

音质的无形杀手

    反过来看,多线输入的高音和低音分音器是完全分开的,各自拥有专属的地线,分层负责。从输入端以后就独立分频,其中并无任何零件相连,所以可以大幅降低串音干扰,音质也会相对的提升。但是这样的设计,王子和公主就可以各自独立快乐的生活吗?让我们更进一步的观察。一般的分音器(无论是Bi-Wired或Tri-Wired),都建构于同一块电路板上,或多或少都还是会产生电气性串音。举个例子来说,当我们检视一只具有Bi-Wired的扬声器时(高通和低通电路共享一片电路板),假若我们将高音单体与分音器间的接线、Bi-Wired的跳线或短路棒通通拿掉,再从背板上的高音端子输入讯号,这时因为高音已断路,理论上是不会发出声音的;但是我们却可以从低音单体听到相当轻微的声响,这就是所谓的「电气性串音」。那么,这种「电气性串音」要如何排除呢?其实很简单,只要我们把电路板切开成二半,再将二片电路板分隔10公分以上,如此一来就可以大幅降低「电器性串音」。但是,不管你用什么方法处理(切、锯、剪、割、雷射、水刀……),当你动手修改或是「升级」以后(注2),你就自动放弃原厂保固的权利。唯一可靠的办法,是先把原厂的分音器取出,画下原设计之线路图并标示零件数值,另外制作一个分音器,而原厂的分音器千万要保留起来,假使扬声器不慎故障,还可加以还原。

电磁性串音

    好了,现在王子和公主终于可以各自独立生活了吗?还早呢!为什么?因为我们磁场大哥,不时还会施以干扰,因为当感应电流运行时,会生成磁场(同时电容器和电阻也会有磁场发生,但可以用零件材料来解决)(注3),进而影响旁边的电感,我们称之为「电磁性串音」。要解决这个问题也不难,只要把零件相距15公分以上,就可以将电磁性串音大幅降低。虽说有些扬声器的内部空间不大,实行上会遇到困难,可是也有解决的办法,只要记得把零件相互以90度错开就行了。

    另外,分音器的位置对电磁性串音也有相当程度的影响,最好尽量将其远离喇叭单体,因为单体的磁场也会影响分音器正常工作。如果您是使用书架型扬声器,尽量不要将分音器安置于底板上,因为市面上的脚架都是使用铁为材质,虽然分音器位置远离了喇叭单体,但是铁脚架却会被喇叭单体感磁。这时候,如果分音器放置在底部,就会因为脚架的感磁现象而对分音器产生不同程度的干扰。当然,若是使用木制脚架,或将喇叭直接摆放在书架上,就可避免这个问题。
High End?

    Bi-Wired对声音表现真的能有所提升吗?就理论上来说,Bi-Wired的确能有效的降低串音的生成,相互干扰的程度上也能有效地抑制,所以声音是会比较好听的(注4)。但是,若要达到High End级的水准,单单具备Bi-Wired或Tri-Wired是不够的,以上的串音及干扰因素,都必须排除才能称为名副其实的High End。很可惜的是,一般扬声器都不会花费太多成本在分音器上,因为分音器放在音箱内,消费者无法一眼就看见,绝大多数的厂商宁愿多花一些成本在音箱的制作。

    至此,我的结论是:喇叭内在的分音器设计,远比外在来得重要的多。近期市面上有二款扬声器,笔者认为可以视为分音器设计的最佳典范:B&W Nautilus 801与Dynaudio Contour 1.3SE,特别提出供读者们作为参考。

注1:音压96dB称为「临界音压」,当数值高于96dB时,人耳就会感到很吵。
注2:常常有人会改机,但是都没科学根据或仪器测量,愈摩声音愈坏,所以常叫作「摩迪坏」(Modified)。
注3:大部份分音器内电阻都是线绕电阻,通电后会有电感生成,但也有些品牌生产无感电阻。
注4:但是有些喇叭例外,如Thiel与新款的Avalon等,因为它们虽然只有单线输入,但是在分音器的设计上都是独立的,电气性串音和电磁性串音都能够加以避免。

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2#

czy168 在 2003-6-23 0:31:10 发表的内容

“目前高级扬声器都使用了双线分音的设计,如果你想使用此功能就要准备多一对喇叭线,并将扬声器两对接线柱之间的短路片拿掉,否则便起不到双线分音的作用。如果功放只有一对输出端,就需要把每声道的两对喇叭线并联,即两条\"+\"线接功放的\"+\"输出端,两条\"-\"线接功放的\"-\"输出端。如果功放备有两对输出端,采用双线分音就方便得多,只需每对端子连接一对线即可,但要记得把功放上的扬声器选择开关扭到A+B的位置。 ”Q

请教Leslie: 我一直是这么接的,但您上次说A+B接法是错的。

因为这样接,还是用功放里一样的元件来推动,并没有多出功率,而且A+B,前级信号通过不同的 路径分别到A端和B端,势必多了损耗,多个香炉多个鬼,个人觉得不好,请参考。
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3#

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4#

所谓Bi Wire,就是用二条喇叭线的意思。这二条喇叭线要怎么用呢?先决条件是喇叭这边的端子要有低音、中高音二组。此时,您可以将二组喇叭线从扩大机这端(可以用Bi Wire专用喇叭线或一般喇叭限二组绞和)连上喇叭的二组端子。
Bi Wire的精神在那里?第一再可以让您有机会用双扩大机分别推低音与高中音。第二在于分音器里边的地回路是中高音与低音分开的,可以在某种程度上提升声音表现。
有些人喜欢给中高音一种喇叭线,低音另一种喇叭线,藉以调声,这也是Bi wire的功能之一。
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5#

回bi-amping或Bi-Wiring
无论适双扩大机或双喇叭线,都要考虑音色、速度等搭配问题。如果以二部后级进入双喇叭线端子,最好是以真空管机推中高音,以晶体机推低音。二者的输出功率不要相差太多。二者的速度敢当然也不要差太多。不过,总体而言,影响速度感更大的因素除了扩大机本身的回转率等因素外,还有低频量感的多寡。假若低频量感太多,速度感会变慢,反之感觉会比较快。
基于这个道理,如果我们使用低频量感比较少的线材,速度感在感觉上会比较快,反之就会比较慢。
双喇叭线用法时,在线材的选用上很活,可以用镀银、纯银、纯铜等相互搭配。所以,如果能购买比较便宜的线材做搭配,比较不会伤财。

刘汉盛
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6#

回Bi-Wire的问题。
Bi-Wire的基本精神就是将低音单体与中、高音单体的分频网络隔离,使得这二部份的一些失真或干扰不会透过共享的地线相互传递。尤其是低音单体存有很强的反电动势(请把喇叭单体想象成发电机),很容易干扰到中、高音单体。所以,当喇叭搞到没什么花样时,就弄出BiWire的端子了。
到底Bi Wire有没有真正的好处?理论上有,实际上不容易分辨好处到底有多少是真的来自于Bi Wire。
但是,Bi Wire提供了一个双扩大机的使用可能。使用者可以用一部扩大机推低
音,另宜不推中高音。先决条件是其中一部后级要有调整音量的功能,这样可以得到调整低频段与中、高频段平衡的机会。我自己就是这样用的。而且证明正面效果很大。
刘汉盛
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7#

Cables For Bi-wiring

Choosing the cables needed to bi-wire your loudspeakers is fairly easy, but there are a few things to consider before you buy.

Almost any type of speaker cable can be used to bi-wire, but try and avoid the low-cost thin wire that has poor conduction properties. This rule applies to ALL speaker cables, not just the extra runs! For bi-wiring it is usually best to use exactly the same type of cable for both runs to each speaker. This ensures that the audio properties and conductivity are the same for each crossover section.

An ideal solution is to purchase one of the many dedicated bi-wire cables designed for bi-wiring. These are usually two separate lengths of a standard two-core cable bound together within the same insulating casing to make a single four-core cable. As well as looking much better than two single cables, you are sure that the cable properties will be exactly the same and that sonic performance will be maintained.

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8#

Bi-Wiring Introduction

Introduction

Bi-wiring involves using two pairs of speaker cables between your loudspeakers and an amplifier, where usually only one cable to each speaker would be used. If you are using loudspeakers that are capable of being bi-wired, it may be worth considering installing the extra cables to make the most of your system's audio performance.

Normally Wired Loudspeakers

The simplest connection between an amplifier and a loudspeaker is with a single length of two-core speaker cable. Each 'core' is a conductor for an electrical signal and is separated from the other using plastic or rubber insulation. On the rear panel of the loudspeaker will be a pair of terminals that the cable is attached to, one usually coloured red or marked as positive (+), and the other usually black and marked negative (-). The output stage on the rear panel of the amplifier will have a similar arrangement of terminals for each speaker connection. The cable is connected between the amp and the loudspeaker so that red/+ connects to red/+ and black/- connects to black/-. The audio leaves the amplifier as an electrical signal through the red/+ conductor. When it reaches the loudspeaker, it passes through an electric circuit called the 'crossover'. This circuit filters the full signal and directs particular frequencies to the correct loudspeaker driver. In a two-way speaker, high frequencies go to the tweeter and low frequencies go to the woofer. The electrical signal then returns back to the amplifier's output stage along the black/- conductor, and the circuit is complete.


Normally Wired Loudspeakers

The main problem with normally-wired loudspeakers is that a single cable carries the entire electrical signal from the amplifier to the speaker and back again to the amp, passing through the crossover along the way. In this situation, the low frequency bass tends to overpower and swamp the delicate treble signals, particularly on the return trip back to the amplifier. The diagram below shows a pair of loudspeakers connected to the amplifier's output stage using single runs of dual-core speaker cable

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The solution to this frequency disruption is to separate the signal more efficiently at the crossover by using two separate runs of speaker cable to each loudspeaker.
Bi-wiring

A bi-wirable speaker has two pairs on cable inputs on its rear panel, two red/+ and two black/-, rather than a single pair as found on regular loudspeakers. Two separate lengths of speaker cable are used to connect the amplifier output to the loudspeaker input, with the additional cable connected to the second pair of cable inputs on the speaker. The internal crossover circuit in a biwirable speaker is basically two separate circuits that will initially be linked (red to red and black to black) by some form of metal link. By removing this link, each crossover section receives a full signal of its own from the amplifier.
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This diagram shows how a biwirable speaker is connected to the amplifier using two pairs of speaker cable. At the amp, both red and both black conductors are terminated into the same binding post. The metal links bars that join the similar coloured speaker terminals have been removed.
The Benefits

When the metal link bars are removed from a biwirable loudspeaker, the crossover becomes two separate circuits, with each circuit directly connected to one of the drivers on the front of the loudspeaker. Therefore, in a two-way speaker, one crossover is linked to the woofer and the other is linked to the tweeter. Each crossover features a filter that blocks all frequency bands except for the ones needed by the drive unit to which it is attached.

Using two runs of speaker cable allows each crossover to be connected directly to the amplifier's output stage. The full-frequency signal arrives at both crossovers through the red/+ conductor and each is filtered so that the driver receives only the signal it needs. The signals are then passed back to the amp along the corresponding black/- conductors, but because the high and low frequencies have already been separated, each has no affect on the other - the delicate treble is not overpowered by the bass.

The advantage gained by bi-wiring is that a cleaner, less distorted signal arrives at the speaker driver and at the amplifier when the circuit is completed. A cleaner signal will contain more of the subtle detail that would otherwise be lost if the full bandwidth was travelling along one conductor. As a result, some systems can produce an improved sound with better stereo soundstaging thanks to the fine detail within the signal being retained.
More Options

One of the main questions that I get asked is "Do I use the second set of speaker outputs on my amplifier to bi-wire my speakers?". The answer is both yes and no. Most amplifiers, particularly stereo hi-fi amps, have outputs for two pairs of main loudspeakers, usually named A and B. While the A outputs are commonly used to connect the main pair of speakers, the B outputs are normally used to attach a second pair of speakers, maybe a pair in a different room to your hi-fi. It is not necessary to use the B outputs when you bi-wire your speakers, although you can use them if you want - just ensure that both A and B speakers are selected on the amplifier.
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Some people prefer to terminate both bi-wire cables into just the A output stage. This works just as well as using A and B together, and is tidier looking if the amplifier has large binding post terminals. The smaller spring-clip terminals often won't allow the connection of thick bi-wire cables, so using the A and B terminals may be the only way.
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