终于入手了让自己满意的唱放 [复制链接]

呵呵，发现这个帖子是我的第100个帖子

就在准备入手这款唱放的时候，莲花兄说找到了一款唱放，RSA的F117，RSA在耳机领域还比较有名气，而且看其网站介绍，这款唱放好像性价比奇高，用9V电池作为动力来源，诸多香港大烧都入此唱放后出了FM等高阶唱放，说的我一时心动，看其网站的售价大概是750美金，加上运费及手续费800美金出头，价钱倒也合适，做工优良。

于是节前疯狂的搜索这个唱放的信息，莲花兄搜到了一位香港的大烧有这款唱放，并且评价很高，现这位前辈居住在英国，所以顺着这位香港前辈的帖子，搜到了在STEREO论坛上的这个帖子http://www.stereo.net.au/forums/ ... d-phono-cartridges/一口气看完这个帖子，又有了一个新的发现，其中有一个澳洲的烧友，既有这款黑鹰又有GRAHAM SLEE的REFLEX M唱放，而且最终是出了黑鹰留下了REFLEX M。
这款REFLEX M是上文说的EAR GOLD V的高阶版本，也是GRAHAM SLEE的最高端MM唱放，别且可以加自家的升压牛组成MC唱放。

呵呵，接着STEREO的那个帖子往后看，发现版主也有这款REFLEX M唱放，并且有两台，一台老版的一台新版超线性版的，而我也等不及黑鹰的订货速度，就从EBAY上订购了一台REFLEX M

没想到春节假期间EMS超级给力，不到一个星期东西就到了

没想到春节假期间EMS超级给力，不到一个星期东西就到了

已经回复楼上两位老师，大家都对价格感兴趣，对声音不太感兴趣，呵呵，我会慢慢更新听感。
当这个唱放一开声，我就知道自己赌对了，没想到GRAHAM的老爷子用这么少的零件，做出这么美妙的声音，这个唱放给我的系统带来的改变，不亚于当初菜鸟的我升级NAIM功放。现在用的只是歌德的低端唱头；原来播出来很难听的唱片，比如克雷默的柴小协，现在听的是如痴如醉，早前跟一位在瑞士的烧友沟通，他说这张柴小协的录音与演绎俱佳，原来一直没有感受过，现在能领略到了。现在还在犹豫是升级一款高端的MM头，如歌德的小木块，高度风的2M black，linn的adikt或者 goldring的1042还是上个升压牛如一个稍低端的MC唱头。

现在刚到手，还处于兴奋的状态，可能现在的听感不够客观与冷静，等过些日子我在更新我的听感。现贴一些国内外的烧友对此款唱放的评价，供大家参考：
One of the great innovations that made the Era Gold V phono stage preamp miraculous and the Reflex our next generation of Stereophile "class A" recommended phono stage preamps is their ultra open loop linearity.


Just like tubes (valves) the Reflex M does with solid-state a number of ultra-linear techniques that makes music sound so incredibly live!


Negative feedback is used in most all amplifier stages to straighten their open-loop distortion, but lashings of negative feedback has to be used to force them into linear operation. But as tube amp enthusiasts know, lots of negative feedback doesn't do good music.


The Reflex M phono stage preamp is highly linear before negative feedback is applied. The result is an uncanny reality which transports the listener into a very involving musical experience.


引用耳机论坛小白版主帖子里的资料：

美国权威的Stereophile“立体声”杂志，和TAS“绝对音响”杂志，对Graham Slee的唱头放大器评价很高。

这里摘引一篇对Graham Slee唱头放大器的评论。

这篇评论说的是他的一款Era Gold（第五代 ）唱头放大器

。Stereophile的两位评论员对Era Gold可以说极尽溢美之辞。评论最后的总结性发言是：

Given its price and its miraculous—and this agnostic means miraculous—performance, I recommend the GSP Audio Era Gold Mk.V as enthusiastically, if not more so, as I've recommended any product I've reviewed and recommended in all the years I've been doing this.（在这个价位，考虑到它的表现，我以多年来做音响评论以来最狂热的程度推荐Era Gold第5代唱头放大器。）

具体的听感：

The GSP Audio Era Gold Mk.V is about twice as expensive as the Perreaux SXV1 and the Musical Fidelity XLPSv3, but it sounded at least 10 times better. It was amazingly dynamic, quiet, full-bodied, harmonically complete, supple, sensuous, and spectacular. It had nearly full dynamic expression at both ends of the scale, and absolutely astonishing bass performance. It made music sound almost as real as the really expensive stuff does, and it carried a 1000-lb tune with ease.

（赞美Era Gold的动态、宁静程度、声音的饱满、音响完整性、柔韧度等。动态表情完整，两端延伸优异，低频表现绝对惊人。使音乐听起来和更昂贵的器材一样真实。能轻松地举起1000磅的音调。）

The midrange vocals on Janis Ian's Breaking Silence (Analogue Productions CAPP 027) were rich, detailed, and vibrant, without a trace of coloration, and there was excellent detail resolution in the high frequencies, with naturally clean but unexaggerated transients. Bass extension was forceful, clean, and tight, and dynamic range at both extremes was extended, linear, and natural.
（人声的中频丰富、细节充分、有活力，没有丝毫染色，高频的细节解析力出色。瞬态自然而干净，但不夸张。低频延伸很强力，干净，收得紧，动态范围延伸出色、线性而自然。）

On orchestral works such as Messiaen's Turangalîla Symphony (EMI UK SLS 5117), all instruments were placed with considerable detail, body, and ambience on a wide, deep soundstage. Piano reproduction was particularly impressive in terms of detail, timbre, and transient articulation. Bass-drum reproduction was deep, forceful, and dynamic, without a trace of overhang. On Dean Peer's Ucross (Jazz Planet JP 5002), Peer's electric bass was uncolored, fast, and articulate, and the lower register of his instrument shook the room.
（在表现大编制交响音乐时，所有的乐器都有很好的细节、形体和混响，音场宽而深。钢琴的重播在细节、音色和瞬态清晰方面特别引人。低音鼓下潜深，有力，动态好，没有丝毫浑浊迹象。在一张JAZZ唱片中，电倍司的声音无染色、快速、清晰。低频段的声音能使整个房间震动。）-----这个说的是EAR GOLD V，也就是REFLEX的下一阶产品。