拉赫的珍珠 ：The Complete Piano Music of Rachmaninov [复制链接]

英国钢琴家谢利 Howard Shelley (born March 9, 1950)

长相很中产，音乐很强大。

Since his highly successful Wigmore Hall debut in 1971 and a televised debut at the Promenade Concerts in the same season, Howard Shelley has consolidated his position as one of Britain's most outstanding artists, performing regularly in London's major concert halls and touring extensively abroad. As a pianist he has been soloist under the baton of such distinguished conductors as Ashkenazy, Boult, Davis, Downes, Gibson, Groves, Herbig, Marriner, Sanderling, Thomson, Weller and Jansons, and has given performances of important contemporary works with Pierre Boulez. Several composers have written concertos especially for him, all of which he has performed and broadcast.
In 1985 Howard Shelley made his professional debut as a conductor. Since then he has conducted the London Symphony and Royal Philharmonic Orchestras and given many concerts with orchestras both in Britain and abroad, including The Philharmonia, the Scottish National, the Ulster Orchestra, the Brighton Philharmonic, the Northern Sinfonia, the English Sinfonia and Netherlands Chamber Orchestra. Shelley is now the Principal Guest Conductor of the London Mozart Players, having been Associate Conductor from 1990 to 1992. During the fortieth anniversary of Rachmaninov's death he became the first pianist ever to perform the composer's complete solo piano works in concert. The five London recitals, in London's Wigmore Hall, were broadcast in their entirety by the BBC. To mark the fiftieth anniversary of Rachmaninov's death Howard Shelley has given many important concerts including a recital in the Leipzig Gewandhaus on the death-day itself and a recital at Rachmaninov's villa in Lucerne at the invitation of the composer's grandson.

Howard Shelley is also featured in a major documentary of Rachmaninov shown on BBC television

他的拉赫究竟是好还是不好啊?不过hyperion的封皮很好看哦

猛一看照片还真像布莱尔...

希尔利还有翻译成谢莱的，主要的贡献就是在演奏拉赫的钢琴独奏作品全集，文献资料大于艺术贡献，总体录音很好，我是在2003购买的，不常听印象也不深

楼上所言极是。钢琴只听皇帝，拉二三的朋友是觉不出他的好的。呵呵．

拉赫玛尼诺夫无论在俄罗斯在米国还有欧州，都是非常受人尊重和爱戴的作曲家，在当时的年代，他是以一个演奏家的身份进入美国的，但是他的作曲水平也是一流的，但是在当时没有得到承认，所以他说作为一个演奏家人们说我是作曲家，但是作为一个作曲家人们有说我是演奏家，拉赫本人也是非常矛盾的，但是另一个层面说明了他的演奏和作曲水平都是一流的，只不过他的演奏太好了，可以从他的rca录音全集得到答案，尤其是拉三，大家可以仔细听听拉赫超人的演奏技巧也只有霍老顽童比比了，另外最郁闷的是好多德国的演奏家听不懂拉赫的钢琴音乐
也不会演奏拉赫的作品主要是文化的差异，但俄罗斯的演奏家演奏德国人的作品确实非常好，想想很有意思

是挺像布莱尔的，但比那厮有文化。
hyperion的8单张的封面设计感觉零碎了些，但整体还是一个风格，算比较统一，比较独特。
其实，这套唱片的封面不放图片最好。

拉赫的作品再短小，似乎其外沿也是目不能及的，听他的和弦感觉像站在山顶眺望地平线。那是骨头里的浪漫和强大。拉赫独特！只有不被重视的梅特纳（Medtner）的气味与其有一点点接近。