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http://www.blackforestaudio.de/AN-Kondo/body_an-kondo.html
KSL-M77 PREAMP
The latest design of kondo is the KSL-m77 preamp, with a single chassis,
it inherits the best from the KSL-M7 in a
beautifully simple design and carries the design
forward. Built to last a life time, this preamplifier
is sure to become a classic.
KSL-M77 Specifications:
Valves: 6072 WA x 4 (EQ), 6072 WA x 4 (Line), 6 x 4 retification
Size: 406w x 160h x 287d mm
Weight: 17kg
Power Consumption: 45W
Load impedance: 100k ohm>
Input Phono, CD, Line 1, 2, 3
Power (main) cable is in KSL-Spz structured for realistic and rich sound stage.
Special order can also be made to have our ultra high quality KSL attenuator compiled with our hand made KSL resistors.
The KSL-M7 and KSL-M77 can be ordered in the following versions:-
1. Line and Phono full function preamplifier;
2. Line only; or
3. Phono only (for M7)
The latest design of kondo is the KSL-m77 preamp, with a single chassis, it inherits the best from the KSL-M7 in a beautifully simple design and carries the design forward. Built to last a life time, this preamplifier is sure to become a classic.
KSL-M77 Specifications:
Valves: 6072 WA x 4 (EQ), 6072 WA x 4 (Line), 6 x 4 retification
Size: 406w x 160h x 287d mm
Weight: 17kg
Power Consumption: 45W
Load impedance: 100k ohm>
Input Phono, CD, Line 1, 2, 3
Power (main) cable is in KSL-Spz structured for realistic and rich sound stage.
Special order can also be made to have our ultra high quality KSL attenuator compiled with our hand made KSL resistors.
The KSL-M77 can be ordered in the following versions:
1. Line and Phono full function preamplifier;
2. Line only
http://www.dejavuaudio.com/PREAMPS-KONDO-KSL-M77.HTM
This ONGAKU has been reviewed by Dick Olsher, Alvin Gold, Jonathan Kettle, Mike Kuller, Lynn Olsen and many others - the only non-perfect aspect of the ONGAKU that any of them could find was that they couldn't afford it! Listen...
"Vocal definition was frighteningly realistic¡Khad me spellbound in disbelief being confronted with the master tape¡KEverything in the performance was exposed" - Jonathan Kettle
