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向《音响二十要》开炮! [复制链接]

查看: 81004|回复: 367
41#

不耍嘴皮子,有本事把福尔曼的音色还原出来,给个链接:
http://item.taobao.com/item.htm?id=15885416505
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42#

回复 295# lp__fans 的帖子

Both of Feuermann's parents were amateur musicians. Feuermann's father, who played the violin and cello, was his first teacher. Feuermann's older brother Sigmund was also musically talented and their father decided to move the family to Vienna in 1907 so that Sigmund could launch a career. At the age of nine, Feuermann received lessons from Friedrich Buxbaum, principal cello of the Vienna Philharmonic, and then studied with Anton Walter at the Music Academy in Vienna. In February 1914, at age eleven, he made his concert debut, playing Joseph Haydn's Cello Concerto in D major with the Vienna Philharmonic conducted by Felix Weingartner.
In 1917, Feuermann went to Leipzig where he studied with the legendary cellist Julius Klengel. In 1919 cellist Friedrich Wilhelm Ludwig Grützmacher (1866–1919), the nephew of Friedrich Wilhelm Grützmacher, died, and Klengel recommended Feuermann for Grützmacher's position at the Gürzenich Conservatory in Cologne. Feuermann also became principal cellist of the Gürzenich Orchestra, by appointment of its conductor (who was also the conservatory director) Hermann Abendroth. Feuermann also, as part of the position, became cellist of the Bram Elderling Quartet. At this time, he also joined a short-lived piano trio with his brother and Bruno Walter, the latter on piano.
In 1929, Feuermann became professor at the Musikhochschule in Berlin where he taught for the next four years. His musical collaborations during this time included violinists Carl Flesch, Szymon Goldberg, Joseph Wolfsthal and Paul Hindemith, who played the viola in a string trio with Feuermann and Wolfsthal. Other collaborators included Jascha Heifetz, William Primrose, and Arthur Rubinstein.
On April 3, 1933, the rise of Nazism led to his being dismissed from his position at the Berlin Conservatory because of his Jewish background. He moved to London, along with Goldberg and Hindemith. He toured Japan and the United States (New York City). He then returned to Europe, where he married Eva Reifenberg in 1935. He played the solo part in the premiere of Arnold Schoenberg's Cello Concerto with Thomas Beecham conducting. He moved for some time to Zürich, but happened to be in Vienna at the time of the Anschluss. Bronislaw Huberman helped Feuermann and his family escape to British Palestine. From there they moved to the United States in 1937.
He taught privately and at the Curtis Institute of Music until his death. Among his notable pupils were Bernard Greenhouse, Suzette Forgues Halasz, Aldo Parisot, Alan Shulman, David Soyer, and August Wenzinger.
In the US, he made numerous legendary chamber-music recordings with Jascha Heifetz, Arthur Rubinstein and others. His relationship with Paul Hindemith suffered when Hindemith chose Gregor Piatigorsky to premiere his Cello Concerto.[1]
Feuermann died in 1942 due to complications in a surgical operation for haemorrhoids.[2]
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43#

回复 299# lp__fans 的帖子

先生,我辛苦找资料回答你前半部分问题,希望我们在此基础上,共同学习、领会,福尔曼的大提琴艺术,并根据前人的可靠资料记载在音响器材中寻回他富有魔力般磁性而浪漫的歌声。
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44#

回复 299# lp__fans 的帖子

保罗 卡萨尔斯说:“福尔曼是一位伟大的艺术家!他的早亡是音乐界巨大损失。“
克伦格如此评价福尔曼:“所有那些被托付给我的可爱年亲人和倍受赞赏的艺术家中,从未有过(像他那样)这样的天才。”
请稍等,我继续给你翻译。
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45#

回复 302# lp__fans 的帖子

(福尔曼去世后)他的荣誉护柩者行列包括的一些伟大音乐家,其中钢琴家有:鲁道夫 塞尔金、阿图尔 施纳贝尔,小提琴家有:米沙 埃尔曼、布罗尼斯拉夫•胡伯曼,指挥家有:乔治 赛尔、尤金 奥曼迪、阿图罗 托斯卡尼尼;在游行中,托斯卡尼尼跪倒并哭道:这是谋杀!
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46#

回复 302# lp__fans 的帖子

呵呵,听说过这些故事吗?通过这些吊念者名单,你难道没有发现其中的规律和某种艺术风格的相通性?
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47#

回复 307# lp__fans 的帖子

本来把福尔曼短暂一生使用过的大提琴都翻译好了,看你根本没有虚心学习的愿望,算了;如同楼上先生所言,告诉你关于他左手非凡的指法(均匀的揉弦发音突出歌唱性)以及灵活的右手弓法(渐强和高难度时技巧性的加速,营造戏剧效果)又有何意?你还是去把二十要背熟再来吧!
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48#

回复 309# lp__fans 的帖子

老兄,请你不要再提喇叭花了,上海的代理商你知道是谁嘛?你知道我与他关系嘛?来,请你把复刻那一型号报出来,你怎么搭配的告知我们一下?不要总是我展示,你也亮一下。
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49#

回复 310# imzadi 的帖子

没想到你总是咬牙跟着我,请你把其中的“指法”在这个链接中下载下来。
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50#

回复 313# lp__fans 的帖子

不要再废话了,拔出家伙就知有没有货了。
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