请爱好Jazz的朋友聊聊唱片 [复制链接]

Jazz片片很少，非常少，钱都交给古典了，其实Jazz比古典好收，CD也好LP也好，可惜没钱啊。。。。公爵的53,54年现场，90年Vogue版，俺最喜欢的公爵

老婆喜欢Bossa Nova,把她的片片贴上来。。。。这张表说了，只是97年的再版cd，如果谁有头版黑胶，躲被窝里偷笑吧。。。。。

两张Gilberto, 第一张效果好到爆，jazz真是容易出好声。

小野丽纱；两张代表性的专辑，一张西班牙语一张法语，她的Bossa Nova少了份自由摇摆，多了点潇洒

其实Naxos有一个非常好的系列Jazz Legends，对于入门的朋友非常有用，应该是最低价位能拿到的有音质保证的jazz片了

这两者正是我的最爱,但我已经学会"弱水三千,只取一瓢"......

新年好！
你旺我旺大家一起旺！

小收一张~~~


OSCAR PETERSON TRIO  -  ON THE TOWN （VERVE）

Recorded July 5, 1958

Personnel:
Oscar Peterson (Piano)
Herb Ellis (Guitar)
Ray Brown (Double Bass)

发几张图玩玩~~~


铃木良雄（YOSHIO SUZUKI ） & MATSURI  - Fairy Tale （JVC JAZZ）

Personal:
鈴木良雄 ( Yoshio Suzuki ) (b)
内田浩誠 ( Kosei Uchida ) (p)
井上淑彦 ( Toshihiko Inoue ) (ts,ss)
秋山一将 ( Kazumasa Akiyama ) (g)
Cecil Monroe (ds)

日本爵士音乐家 贝司手 铃木良雄的专辑， 非常舒缓幽雅的爵士曲调，让人完全沉浸在满屋甜腻的味道里面~~~

MAL WALDRON - A LITTLE BIT OF MILES  （FREEDOM）

Mal Waldron (p)  Henk Haverhoek (b)  Pierre Courbois (d)"Jazzzolder Hot House", Leiden, Holland, February 9, 1972

爵士钢琴手MAL WALDRON 于1972年的三重奏现场录音，与另外两名欧洲乐手的合作，只有2首曲目，每首曲子的时间长达十几分钟，完全即兴的演奏，表现出键盘音乐的无限可能性，第二首曲子是MAL WALDRON的原创曲目，也非常经典，听起来略带前卫自由的弹奏。

Mal Waldron is known for his dark, turbulent original compositions and this live trio engagement is no exception. Joining him are two European musicians, bassist Henk Haverhoek and drummer Pierre Courbois. The LP is made up of just two songs, the first being "A.L.B.O.M. (A Little Bit of Miles)," though it might better deserve the subtitle "A Lot of Mal." This fascinating work builds from a repeated vamp into a long adventuresome piece in which the pianist utilizes the full range of the keyboard. The second song, "Here, There and Everywhere," is not the composition made famous by the Beatles but another Waldron original, which evolves from Waldron's tense exchange with Courbois in the introduction to a driving post-bop setting that also showcases both members of his rhythm section to good effect. Released on various labels, including Freedom, Black Lion and the German Intercord, this exciting live album remains difficult to acquire.

kenny drew - undercurrent (blue note )

Kenny Drew,  piano;
Hank Mobley,  tenor sax;
Freddie Hubbard,  trumpet;
Sam Jones,  bass;
Louis Hayes,  drums

这张专辑录音于1961年，2007年重发了这张唱片。专辑里KENNY DREW 一手流利的钢琴即兴演奏，与另两位爵士好手，中音萨克斯手HANK MOBLEY ，以及小号手FREDDIE HUBBARD天衣无缝的组合，使得这张爵士唱片成为又一经典之作，这也是KENNY DREW移居欧洲前出的最后一张唱片。  

Jackie mclean - mclean's scene  (new jazz)

喜欢Jackie mclean，主要是因为喜欢他有节奏的很明快的吹奏风格，听起来很爽很HIGH~~~

（乐手简介）
Jackie McLean (1931-2006)﹐是一名生於紐約的Alto色士風手﹐也是樂團領班﹐他小時已受父親的影響﹐其父是樂團裡的結他手﹐不過英年早逝。15歲的 Jackie 已懂吹奏 Alto Sax﹐其後得到 Thelonious Monk﹑Bud Powell 及 Charlie Parker 等鄰居的指導﹐然後在高中時又與 Kenny Drew﹑Sonny Rollins 及Andy Kirk Jr. 組團。19歲時﹐Jackie 就曾與Sonny Rollins 參與 Miles Davis 的唱片錄音﹐也曾於1956-58年間成為Art Blakey & Jazz Messengers 的一員。

估计喜欢听BLUE NOTE厂牌出品的爵士唱片的朋友肯定都知道LEE MORGON，其在BLUE NOTE有过大量的唱片录音。50年代中期到60年代后期，这段时间是BLUE NOTE硬波谱的顶峰时期，有着一批非常优秀的爵士乐手在BLUE NOTE录音出唱片。 LEE MOGON绝对是一位不折不扣的演奏硬波谱风格的好手，其在蓝点公司出过的唱片，张张精彩，而且评价都很高。 这张唱片里面合作的另外5名乐手，也是十分的出色。


Lee Morgan - Cornbread (feat. jackie mclean)（BLUE NOTE）1965

Personnel :
Lee Morgan --  trumpet;
Hank Mobley  -- tenor sax;
Jackie McLean --  alto sax;
Herbie Hancock --  piano;
Larry Ridley --   bass;
Billy Higgins --  drums.

Lou Donaldson - Here 'Tis  (BLUE NOTE 4066)

这又是一张BLUE NOTE出品的超级好的爵士唱片， 这张专辑里除了能听到LOU DONALDSON非常感性的灵魂式爵士乐的吹奏风格，还有吉他手GRANT GREEN 和管风琴手 BABY FACE WILLETTE的加入，也是这张专辑唱片的一大亮点。


Personnel: Lou Donaldson (alto saxophone), Grant Green (guitar), Baby Face Willette (organ), Dave Bailey (drums).
Recorded 1961.

玩一下小时侯玩过的玩具——魔方， 儿时的回忆~~~~~~

CLIFFORD BROWN & MAX ROACH  - Study In Brown  （MERCURY）

Recorded between February 23 & 25, 1955

Personnel:
Clifford Brown (trumpet);
Max Roach (drums);
Harold Land (tenor saxophone);
Richie Powell (piano).

小号手CLIFFORD BROWN 于水星公司1955年的录音，那个时候还不足25岁的CLIFFORD BROWN作为MILES DAVIS的伴奏乐手已经开始展露头角。 他的小号吹起来快速而圆滑，很有特点，非常有速度感和即兴感，给人一种爽滑到底的感觉。而在这张唱片里，能够跟得上这种速度的，非MAX ROACH 莫属，MAX ROACH也是自己非常喜欢的一位鼓手之一。 两位爵士大师演绎的经典之作，很值得一听。


When these nine sides were cut in February 1955, trumpeter Clifford Brown was not even 25 years old, but he'd already emerged as jazz's greatest trumpeter this side of Miles Davis. Whereas Davis made his mark through conception, composition, and cool tones, Brown was a blowing, blaring, blistering fire who navigated chord changes without a second's pause. This record will give listeners plenty of chance to marvel at his fleet improvisations and sharp tone, which remarkably never lost its fullness at any speed. The m.o. of the quintet was pretty well set at this point: reinvigorated standards augmented by crafty introductions and taken at full bore; sprite originals with complex melodies; and an urgency unmatched in jazz before or since. Pianist Richie Powell and tenor Harold Land admirably keep pace with the leaders.