《春之祭》 [复制链接]

原帖由 Tintin 于 2007-8-14 13:44:00 发表 很喜欢《春之祭》，特别是看了迪士尼的幻想2000之后。 我有SONY作曲家本人指挥哥哥伦比亚交响乐团以及DG伯恩斯坦指挥以色列交响乐团的版本，都很喜 欢。作曲家本人对比强烈，伯恩斯坦音乐张力十足。

指挥家本人指挥这个版本好象是60年代的，听说音效还是很火爆的。

是啊，音效非常好!

原帖由 Tintin 于 2007-8-14 13:44:00 发表 很喜欢《春之祭》，特别是看了迪士尼的幻想2000之后。 我有SONY作曲家本人指挥哥哥伦比亚交响乐团以及DG伯恩斯坦指挥以色列交响乐团的版本，都很喜 欢。作曲家本人对比强烈，伯恩斯坦音乐张力十足。

作曲家本人版是立体声录音吗？

是的。

好不好寻到？

问四哥吧。

看来是施兄已将自己系统的低频搞好了，最近都是在介绍带有爆棚段的CD。

春之祭的录音倒是真听过不少，但是就火爆与狂野而言，没有哪一版能与莱文大都会版匹敌好像。
春之祭真要演奏得好，的确非常难， 去年看过上交演奏的春之祭，那个实在是太糟糕了，这样的作品会把一个乐团弄得简直难以入耳。
其他好的一些录音，比较喜欢波恩斯坦cbs五十年代录音，那个真叫是爽啊！斯老自己的录音我个人觉得一般般，其他海汀克戴维斯都是值得聆听的。连gergiev都几乎完全把握不了这样的作品，期待他以后再录音；卡拉扬的也不行，节奏根本有问题；最近的萨洛宁dg录音，虽说以sacd格式发行，不过音效与演绎均不入流，很可惜。上面说索尔蒂的，确实是好，演录俱佳的好东西。小泽如果看他70年代巴伐利亚现场录影，没有人会反驳他巨大的天才。还有一些不列数了。
如果真喜欢这部作品，如果没有听过莱文，那么请试试吧。吐血推荐～

可爱的楼主最近所写都与我心心相印啊！

原帖由 曼弗雷德 于 2007-8-15 10:31:00 发表 最近的萨洛宁dg录音，虽说以sacd格式发行，不过音效与演绎均不入流，很可惜。

评价差异太大了，今晚俺亲耳听听到底咋样



MODEST MUSSORGSKY
Night on Bald Mountain
BÉLA BARTÓK
The Miraculous Mandarin
IGOR STRAVINSKY
The Rite of Spring
Los Angeles Philharmonic

Esa-Pekka Salonen

Deutsche Grammophon- 00289 477 6198(SACD)
Reference Recording - Rite: Chailly (Decca); Suitner (Berlin Classics)



Wow, this is some disc! There are so few new major-label productions featuring today's "big" artists--and let's face it, so many of those turn out to be uninteresting--that it comes almost as a shock to note that there really can be a difference when everyone involved lives up to their reputations. Without a doubt, Esa-Pekka Salonen is a great conductor, particularly in contemporary music such as this. He recorded The Rite of Spring previously with the Philharmonia for Sony, and that was a very exciting performance, but this one has just that much more bite and savagery in the Sacrificial Dance, or at the conclusion of Part One. Indeed, the playing of the Los Angeles Philharmonic is pretty amazing throughout, with well-nigh unbelievable clarity in the polyrhythmic complexities of the Entry of the Sage, but also in the gentler washes of color that open Part Two.

The Miraculous Mandarin Suite, that other "primitivist" masterpiece, makes an ideal coupling, and the performance is no less splendid. The solo clarinet is appropriately seductive, the entrance of the Mandarin is chilling, and the "chase" fugue speeds along at an impressive clip, rising to an absolutely shattering climax. Including the original version of Mussorgsky's Night on Bald Mountain also was an inspired idea. This bit of musical barbarism is very much the 19th-century forbear of its two 20th-century cousins, and Salonen makes no effort to smooth over its rough edges. It's also fitting for this recording, made in the excellent acoustics of the new Disney Hall, to include a work that featured so prominently in the film Fantasia (albeit in Stokowski's orchestration). Speaking of which, the sound really is superb in all formats, with rock-solid bass and a vividly coherent ensemble perspective that's all the more remarkable considering the level of detail captured. Let's hear it for the A-Team.

--David Hurwitz